Friday, August 24, 2007

FM Morning Shows

Aiieeeee!! I just turned on the radio to FM, and was reminded once again of why I never listen to FM radio before nine in the morning.

Because morning shows on FM are simply intolerable.

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Monday, February 05, 2007

Airwaves (Not a Dream)

An entry from back around 1996 or 1997, as is recorded in my Book of Dreams:

New Year's Eve some very odd discoveries combusted on this terrestrial plane— as if out of an old recurring dream of twenty years ago and more— both having to do with one of my special lifelong interests, the airwaves.

Believe it or not, this one was not a dream.

First of all, fiddling around with the radio, I discovered, for the first time, a station broadcasting in the new 1610-1700 kHz range. Some far distant station on 1660. Mostly music. I recorded the station identification at the top of the hour, but it was too weak to decipher. As it was the only station broadcasting on that frequency, it could have been from anywhere in the country.

Then Steven discovered something even stranger. A new TV station in Madison. Or rather (since it is listed in the Yellow Pages under "Television Stations") a TV station whose very existence we have somehow managed for months to miss.

And a very bizarre TV station, at that. "Channel 8, WO8CK, Madison, Wisc." Programs simply airing without further announcement or interruption, except for fancy station identifications which run for three or four minutes every half hour. Extremely amateurish production values. All the programs are like something right out of the bargain basement of videotapes, all of them ten and fifteen years old, and more than slightly funky.

Some strange holistic health program, with commercials (among the few that aired) for the "Life Force Newsletter," and news about reincarnation. The Christophers, and a priest interviewing a paraplegic police officer. A half hour of third-rate rock videos, all from the same "Sparrow Communications Corp."

And to top it off, presentations of some mystic "spiritual master," Gilligan with a Hawaiian lei around his neck. Chanting, chanting, chanting while various scenes play across the screen. A man surfing the waves. A road between rows of trees. A woman working an old-fashioned hand pump. Gilligan chanting on the beach. Children watching doves in the park. A shot of Jesus in Gethsemane, which fades to a blue-skinned Hindu goddess with a fawn at her breast. Gilligan chanting atop a rock. Quotes from the Bhagavad-Gita and the Psalms. And all the while, the chanted background refrain of "Gopala Govinda Rama, Madana Mohana..."

After about fifteen minutes, the entire sequence began all over again. It re-ran with only minor variations: a fastbuck leaping in rhythm with the chanting, which fades to Gilligan and his crowd, all leaping in rhythm with the chanting. A different set of Bhagavad-Gita quotes.

And then a third fifteen-minute re-run. This time, more variations in the sequence were introduced, as the whole presentation took on the air of a Laplace transform of itself. A new sequence inserted about Socrates. A sun over water scene with quotes from some philosopher about "living in the machine age." Variations in the order of old shots.

And then a fourth fifteen minutes, this time everything old and new, well shuffled and transmogrified. Holy spinachia!

Then an hour (part of which I skipped) of Gilligan discoursing on the New Year, and "people who have tasted the bitter nectar of this world." This wrapped up at midnight with a reprise of selected shots of Gilligan, the fastbuck leaping, crowd chanting, and then several minutes of station identification, "WO8CK Madison, Wisc.", after which, without further ado, the station went off the air.

Talk about bizarre... And like I say, this one was not a dream...

Eerie overtones of a recurring dream I used to have back round and about my teenage years— of coming down early in the morning, turning on the TV, tuning around, and discovering a mysterious "Channel 29," with surreal dream-logic shows featuring a robot named Candlestick Parker, and the Secret Spy with the Soda-Straw Camera which "took" not photographs but cartoons. I remember how that dream came to symbolize for me the sense almost of awe, which I came in those years to connect with the practice of tuning around on the airwaves. A sense of awe which led me to realize, even at that age, that not all synthetic a priori's are listed in Kant: to space, time, number, logic, causality, qualities, we must add at the very least the radio dial. Cassirer, who guarded so fiercely the mutual independence of his various symbolic forms, would have understood.

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Wednesday, December 13, 2006

Radio Luxembourg

If I'd grown up over in the UK, I'd associate the kind of music I love best with the English service of Radio Luxembourg. Classic rock and roll! The Beatles! This is a station that really was part of the history of rock.

As it is, having grown up on this side of the Atlantic, I have to settle for memories of seeing the Beatles on the Ed Sullivan show.

Richard Nichols' Radio Luxembourg: The Station of the Stars is worth reading, if you can latch onto a copy. But the other day I discovered something even better: Radio Luxembourg's English service is back, and now you can listen to it online!

"The Legend Is Back!" If you're into the same kind of classic rock I'm into, you'll want to give it a listen!

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Wednesday, October 11, 2006

More About That Radio

grundig stereo concert-boy transistor 4000 radio
Well, I've been tinkering with that radio— sort of a "1968 boombox"— that I picked up recently at an antique store. AM band works fine now, all it needed was for the band selector button to be worked a bit. Still have to figure out about calibrating the needles on the radio dials.

But my biggest advance is, I've made the radio even more boomboxlike. Namely, I'd been running it plugged in. But on opening it up, I discovered that it will take batteries. So I got seven D cells and put them in the battery holder inside the radio.

Closed radio, turned it on. Nothing. Then I saw a switch on the back, "BATT" or "MAINS". Switched it to "BATT". And voilà! I now have a gigantic oversized late 60's AM/FM/SW/LW radio which can play whilst being toted around by the carrying handle.

Them batteries gotta push the radio's weight up over 15 pounds.

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Wednesday, October 04, 2006

Grundig Stereo Concert-Boy Transistor 4000 Radio

grundig stereo concert-boy transistor 4000 radio
Well, here it is. My latest toy. As if I didn't have more than enough radios around the house already! Yes, that's a genuine Grundig Stereo Concert-Boy Transistor 4000 radio. I'd guess it dates from the late 60s or early 70s, and if they'd had boomboxes back then— which they didn't— this would've been it.

First ran across this radio a few weeks ago, up in La Crosse on my day off, bumming around, when what should I run across but a downtown antique mall I'd never noticed before?! Spent a long time browsing around therein, sighted this radio— ah, a Grundig! Noted for their legendary audio quality, you know. But I couldn't bring myself to impulse-buy it, even though it was going for dirt cheap.

Drove back home. Thought on it. Fretted. Paced around.

Given that I'm a compleat radio fanatic, you know how this is going to end: this week, on my day off, I drifted back up to La Crosse, and bought the radio. Big! Heavy to tote, I'd guess purner 15 pounds. 19" wide by 9" high by 4½" deep. Stereo speakers. AM band, FM band, two shortwave bands, and even a longwave band. (I have quite a thing about longwave radio.) I got it home. And it works like a dream.

Legendary Grundig audio quality indeed! In that department, this radio blows away anything I've got, except perhaps for my stereo system. Amazing sound. And loud: big, booming, driving sound, fills the room, makes your bones shake. Audio on FM like you wouldn't believe. Even shortwave sounds great, audiowise, on this radio.

grundig stereo concert-boy transistor 4000 radio dial closeup
Late 60s or early 70s, I'd guess, this radio. One website says 1968. It has that look and feel of radios from the days, back in my youth, when I was first getting into listening to distant and curious voices over the ether. At the same time I find it somehow vaguely reminiscent of the Zenith Trans-Oceanic, on which I was first exposed to shortwave lo, back in that magical 1968. Look close up at those knobs, at that dial plate! Signal strength meter. Glowing red "stereo" light. Separate dial and tuning knob for FM— and (clever touch) that second dial serves for bandspread fine-tuning when you're using the second shortwave band.

If I wasn't in love with this radio already, consider this: at night the dial plate lights up in the dark!!! Like a fireplace, like a classic radio of yore.

grundig stereo concert-boy transistor 4000 radio top view
The Grundig Stereo Concert-Boy Transistor 4000. FM booming out of the speakers with beautiful audio quality! The BBC, on shortwave, booming out of the speakers with beautiful audio quality! The only other radio I have which plays shortwave with such audio quality is my Grundig Satellit 700 (by no coincidence, also a Grundig), which I bought new in 1995.

There are a few minor items I ought to take care of, as with many an older radio. The AM band tends to cut out, unless you manually keep the AM band selector button pressed down. The needles on the radio dials could stand some alignment, they're off a bit. But overall the radio's in good shape for its age. And cheap!

grundig stereo concert-boy transistor 4000 radio in the dark
They just don't make radios like this any more.

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Friday, July 07, 2006

Longwave Radio Dreams

longwave radio dial
I've always been strangely drawn to the radio, listening on a dark night to those distant voices coming in across the buzzing static as I tune up and down the glowing radio dial. Tuning in AM stations from across the country. Tuning in shortwave stations from around the world. It always sends a tingle up my spine, like being in touch with some mysterious level of alternate reality.

And I've always regretted that we don't have broadcast stations on longwave here in the United States. You know, longwave radio, way down below the bottom of your AM (mediumwave) dial. Imagine an extra band on your radio dial, the longwave band, starting way down at 150, and running up to around 280, 300, 350, or above.

In some parts of the world— I believe it's Europe, north Africa, the former Soviet Union, and Mongolia— there are broadcast stations on longwave, 153 to 279 kilohertz. BBC Radio 4 from Droitwich, UK on 198 kHz. Allouis, France on 162 kHz. Kalundborg, Denmark on 243 kHz. And many more.

Over the years, I've had several strange dreams about longwave broadcast stations in the United States. Herewith I append my longwave radio dreams...

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Longwave Dream #1

Once several years ago I had this dream, as is recorded in my Book of Dreams:

I had an intriguing dream last night, that stations had started broadcasting in longwave in North America, and that I tuned my radio to the longwave band and was pulling in longwave stations through the deep ether-buzz static of the longwave band, 151-281 kHz.

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Longwave Dream #2

Once several years ago I had this dream, as is recorded in my Book of Dreams:

I had a dream the other night that actually there are longwave broadcast stations in the US, only somehow all these years I had never realized it. There was even an old radio in the storeroom upstairs which had a longwave band on it, right above the desk where I used to sit when I was a kid listening to AM stations on that old Stewart-Warner tube radio, only somehow I had overlooked this other radio, or at least I had never realized that it could receive longwave.

In this dream, the idea was that FDR started the longwave broadcast stations as a public works project in the Thirties, during the Depression. Then after WWII the longwave stations were retained as a sort of Conelrad network. Of course, as a government program, these stations had been continued as a legacy up to the present day, long after use and interest declined. Most people nowadays, I dreamed, were no longer even aware of the continued existence of these longwave stations, and many had never even heard of them.

Indeed, since the late Forties it was almost impossible to find a radio any more with a longwave band, Some radios from the Fifties or Sixties might have a "Conelrad" button, preset by the dealer to pull in a local longwave station.

In this dream I saw, as if on a map of the US, that the flagships of this longwave network were five stations which, between them, blanketed the entire continental United States, outside of a small patch of Montana and North Dakota. Five stations, in Philadelphia, Chicago, New Orleans, Amarillo, and San Francisco. Beyond these five stations, there were a more numerous group of "regional" longwave stations around the country.

In the dream, I took this old radio of ours, and I turned it on. After a minute, the tubes in it warmed up, and it hummed to life. I turned it to the longwave band, and started tuning around. And there, in the middle of the afternoon, I heard a voice, with station identification: "This is Longwave 207... WJZ, Chicago."

I got a station from Texas just above 250— in broad daylight— then I woke up.

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Longwave Dream #3

Once several years ago I had this dream, as is recorded in my Book of Dreams:

Odd dream last night— listening to longwave, and discovering a station, "This is WSDB, longwave 400 from Chicago"— mixed format, sports, talk, rock.

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Longwave Dream #4

Once several years ago I had this dream, as is recorded in my Book of Dreams:

A couple of weeks ago I had a dream that I was living out in the open, as if amidst partitions of corrugated sheet metal. It was a refugee camp, somewhere out on the Great Plains of Kansas or Nebraska or Oklahoma, in a time after things had fallen to pieces. I was like some character out of a Kerouac novel, dirt poor, beat, grapes of wrath, trampled down into the dust by the press of vast events, and I was living there in this fellaheen refugee camp with this woman, and a young daughter of hers. And I had this radio I had gotten somewhere, a big gigantic oversized silver boom box type radio, with all sorts of arcane controls and buttons and knobs and dials on it.

And then I couldn't find the radio, only this woman showed me where she had hung it up on a hook up high, on the corrugated sheet metal, out of sight of the random pilgrims roaming around in this sheet metal settlement. And I was filled with warmth that this woman, my woman, had understood me so completely and cared so much as to put my radio up out of harm's way like this. And I got it down as she busied herself with the cooking and the wash, her wavy black hair and her snapping black eyes, spaghetti boiling in a large open four-gallon metal pot above an open fire, wash strung out with clothespins on clotheslines strung amidst the walls of corrugated sheet metal.

And then this woman went off somewhere on some task or errand, walking barefoot, her sweet dusty feet, and I sat listening to the radio, with the young girl listening with me. And somehow this scene brought a misting of tears to my eyes, at the warmth of this impoverished refugee life we lived amidst sheet metal steel.

And then the radio had a longwave band on it, and I was pulling in one voice broadcast station you could receive even by day, on 315 kilohertz from Olathe, Kansas. By night this longwave station would come in loud and clear, and you could also get broadcasts on more distant longwave stations from all over North America. And it was some Bible-thumping religious broadcast, warning us to flee from the wrath to come, warning us to flee from the wrath which was already upon us, "and pray that it come not in winter." And I understood that this station had simply gone on the air, without a license, and without fear of reprisal in these latter days.

And then I woke up.

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Friday, June 16, 2006

The Zenith Trans-Oceanic

zenith trans-oceanic
It was 1968. I was 12 years old, starting out in 7th grade. I was over at my friend Kelly's house, and he just had to show me his dad's cool radio.

The radio was a portable. Well, if you were a weightlifter, that is. It did have a carrying handle, even if it was the size of a small suitcase. It was a Zenith Trans-Oceanic H500, of early 1950s vintage.

And it had I don't know how many shortwave bands on its dial. I was just absolutely entranced.

You could pick up radio stations from around the world on this radio. The Voice of America. Radio Moscow. Radio Nederland. Deutsche Welle. Radio RSA from South Africa. WNYW, Radio New York Worldwide. The time signal from WWV, Fort Collins, Colorado. And of course the BBC...

Listening to radio felt to me then— it still feels to me today— like entering some strange new dimension, like connecting with some alternate level of reality.

I got a shortwave radio of my own that Christmas. It was out of some Sears or Monkey Ward catalog, and it served me for many years. Then in the early Nineties my brother gave me a Realistic DX-440. And a few years later I got a Grundig Satellit 700, which is still my "main" shortwave radio today.

My shortwave listening post today is in an upstairs room in my house, high atop Wheatland Ridge. There's nothing quite like listening to Radio Tezulutlán, on 4835 kilocycles in the 60 meter band, from Cobán, Guatemala. Or one of the hundreds of other shortwave stations you can receive when the time and propagation conditions are right.

Along with shortwave, I also have an interest in mediumwave (AM) radio. I remember sitting there in a darkened room on winter nights as a boy, listening to an old bakelite Stewart-Warner tube radio, and pulling in KOA 850 Denver, WBZ 1030 Boston, WWL 870 New Orleans, CFCN 1060 Calgary, and dozens of stations in between.

And I've always regretted that, in this part of the world, we don't have broadcast stations on longwave...

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Tuesday, October 11, 2005

Some of My Favorite Songs

Truth is, I'm one of the least musical people you'll ever meet. As I sometimes put it, I'm about as musical as a fencepost.

Nonetheless, there are certain songs that are favorites of mine. I was formed in my musical tastes from the mid 60s on up through the early-to-mid 80s. Here's my list, not of the best rock songs, probably, but just a few of my favorites. In no particular order. A lot of this became favorite music for me simply because I was young, and I was there, and there it was:
  1. Incense and Peppermints, Strawberry Alarm Clock
  2. White Rabbit, Jefferson Airplane
  3. Jackie Blue (long version), Ozark Mountain Daredevils (gee, is that rock? well, I don't care :)
  4. Music for the Funeral of Queen Mary (definitely not rock— but it was the music for the opening credits of A Clockwork Orange)
  5. Journey to the Center of the Mind, Amboy Dukes
  6. Paint It Black, The Rolling Stones
  7. Mighty Quinn, Manfred Mann
  8. Venus, Shocking Blue
  9. Back in the USSR, The Beatles
  10. Aquarius/Let the Sunshine In, The 5th Dimension
  11. There Is a Mountain, Donovan
  12. Flowers Never Bend with the Rainfall, Simon & Garfunkel
  13. Midnight Confessions, Grass Roots
  14. The House of the Rising Sun, The Animals
  15. You're So Vain, Carly Simon
  16. I Am the Walrus, The Beatles
  17. Mellow Yellow, Donovan
  18. I Am a Rock, Simon & Garfunkel
  19. Fragile, Yes— the entire damn album, from beginning to end
  20. Waterloo, ABBA
  21. Hooked on a Feeling, Blue Swede
  22. I'm on Fire, 5000 Volts
  23. Brandy, Looking Glass
  24. Rikki Don't Lose That Number, Steely Dan
  25. Shambala, Three Dog Night
  26. Ebony Eyes, Bob Welch
  27. Rhiannon, Fleetwood Mac
  28. Bungle in the Jungle, Jethro Tull
  29. Electric Guitar, Talking Heads; also, off the same Fear of Music album:
  30. Heaven and
  31. Paper
  32. Seen and Not Seen, Talking Heads
  33. Reeling in the Years, Steely Dan
  34. Dust in the Wind, Kansas
  35. The Other Side of Life, The Moody Blues
  36. Oliver's Army, Elvis Costello
  37. When Doves Cry, Prince
  38. I Want to Know What Love Is, Foreigner
  39. Fingers on a Windmill, Damnation
  40. Revolution 9, The Beatles (yeah, well, I'm weird)
Remember, when you read that list, you've got to think of a boy in a small town up north of Madison, Wisconsin, listening to the Madison rock stations on his Aircastle AM/FM/SW radio. I remember when The Age of Aquarius was at the top of the charts: I was just finishing seventh grade. May 1969. Yes, it was the Sixties. That was a different world back in those days.

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Friday, September 02, 2005

United Radio Broadcasters of New Orleans


Well. I'm sitting here catching up on the situation down in New Orleans, which simply goes beyond me. On the WWL 870 AM website I discovered a "listen live" link, and am presently listening over the Internet to something called United Radio Broadcasters of New Orleans. Live local coverage.

Click on the link, or copy the URL into Windows Media Player. Or if you want to be a geek like me, play it in MPlayer from the command line, as above.

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Tuesday, August 02, 2005

Juju Music on Radio Abeokuta

I happened to stumble across the website of Radio Abeokuta from Africa. "Yorùbá radio," coming to you from Abeokuta, Nigeria. More online audio and video streams than you can shake a stick at!

My favorite is their Shoutcast stream of Juju music. Hate to admit it, but I was up half the night listening to it— I'm getting too old to do stuff like that! You'll soon learn that one King Sunny Ade is a major figure in Juju music&mdash sort of like the Beatles and the Rolling Stones all in one. Also turning up frequently on the Radio Abeokuta playlist are Ebenezer Obey and Kayode Fashola.

I'm about as nonmusical as they come. But I rather like Juju music.

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Monday, July 11, 2005

3WK Underground Radio

3WK is an online radio station I first ran across way back in the neolithic era of the Internet. You know, like the days of Netscape 4?

3WK Underground Radio
I used to enjoy listening to them. Then I sort of lost track. When I ran across 3WK a few years later, my dial-up connection could no longer handle the requisite bandwidth.

Well. A couple of months ago, I finally got DSL. And now this morning, I just happened to wander onto the 3WK Underground Radio website once again. And voilà! I'm sitting here listening to 3WK as I type this.

3WK Underground Radio
3WK Classic Rock and Indie Rock streams are available in Windows Media, Real, Shoutcast, and Ogg Vorbis format. I've got the low-K Ogg Vorbis streams for Classic Rock and Indie Rock bookmarked in XMMS.

You can find literally thousands of web radio stations to choose from at Live365, which I also listen to a lot. But 3WK is cool, and 3WK has been webcasting since 1997.

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Thursday, April 14, 2005

NewsTalk 890 WLS

WLS 890
My favorite talk radio station for many years now— especially Don Wade & Roma early weekday mornings. WLS is in Chicago, but you can listen to it over the Net from anywhere.

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Tuesday, January 11, 2005

Radio Voices on a Winter Night

Winter is the time of year when those voices from afar come in especially strong over your radio. I remember the winter of 1968 and 1969. I was 12 years old. And upstairs in a dimly lit back room, I would sit at table, tuning carefully up and down the radio dial. Tuning in search of elusive distant radio stations. Tuning to hear voices that could sometimes barely be heard above the hiss and crackle of static.

The radio was an old Stewart-Warner— it was older than I by a good margin— dark bakelite box of a cabinet, bronzed metal grille across the front, and two knobs. At lower left, the On/Off/Volume knob; at lower right, the AM tuning dial, running from 55 to 16. It was a tube radio; when you turned it on, it would take a little while to warm up before you heard that dark electric hum from the speaker grille.

Of course, it was easy to tune in the local radio station, WIBU 1240 Poynette, Wisconsin. That was a loud signal, not because it was powerful— I believe it was only 250 watts by night— but because it was nearby, up on top of WIBU Hill, outside of town. Tuning up the dial a bit further, it was also easy to receive WPDR 1350 from Portage, 12 miles to the north of us.

Then there were the stations in Madison, Wisconsin, just 20 or 25 miles to the south of us. Oldtimers from the Madison area may remember the call letters, which for some of the stations have changed since then: WHA 970, the public station; WKOW 1070, which I recall had a talk radio program called "Night Line," long before talk radio became popular; WIBA 1310; WISM 1480; and WMAD 1550.

Milwaukee was about 90 miles to the east of us, and from there WTMJ 620 came in loud and clear day or night— I believe the call letters stood for The Milwaukee Journal, for which I had a paper route in my home town back around that time. If you were lucky (and here I'm guessing from memory at the frequencies) you could also get WOKY 920 and WISN 1120 from Milwaukee. And there was WYLO 540 Jackson, which I always took to be somewhere over by Milwaukee: I used to get a shiver up my spine receiving this station, the lower part of the radio dial for some reason had that effect on me.

Which brings us to another point: listening to these stations over the radio felt to me then— it still feels to me today— like entering some strange new dimension, like connecting with some alternate level of reality. I never knew quite what I was going to find, tuning that old bakelite radio in that dimly lit upstairs room on a cold winter night.

The Chicago stations also came in clearly day or night. WMAQ 670; WGN 720; and of course WBBM 780, "News Radio 78," were all news stations. WLS 890 came in also, but less clearly: they were at that time a music station, if I remember correctly, and popular with some of my friends. When I rediscovered WLS in the mid 1980s, when I was living down in Illinois, they had gone to a news-talk format, though at that time they still interspersed some music with the talk. The Chicago stations WCFL 1000 and big-band-music WAIT 820 came in much more faintly, when they came in at all. And then there was also WIND 560 Gary Indiana, another of those eerie stations down near the bottom of the dial— to me, the furthest radio outpost before we entered into the Ultima Thule of nighttime DXing.

Winter nights I would sit there listening to WMT 600 Cedar Rapids, Iowa; or WCCO 830 from the Twin Cities. There was WHO 1040 Des Moines: I was fascinated by these occasional stations west of the Mississippi which started their call letters with a W. It was sort of like those stations out east which started with a K, KDKA 1020 Pittsburgh and KYW 1060 Philadelphia. I entertained fantasies of tuning in some forgotten station which started with a really odd wrong letter: not just some station in Texas which (like a Mexican station) might start its call letters with an X, but perhaps a station out in Nebraska, say, whose call letters might start with an R. At 12 years of age, anything seems possible.

Tuning down the Mississippi, it was possible at night to receive KSD 550 St. Louis, which I find listed in my notes as "Audio 55"; KMOX St. Louis (frequency?); or WWL 870 New Orleans, "broadcasting from the Roosevelt Hotel in downtown New Orleans." In between, one might pick up WAAY 1090, Little Rock, Arkansas.

Or aiming eastward, there was WHAS 840 Louisville, Kentucky; or WLW 700 Cincinnati. Turning south into Tennessee, Nashville had both WSM 650 and WLAC 1510. There was WJR 760 Detroit, and just below it on the dial, CBL 740 Toronto. And from the Southeast, it was easy at night to receive WSB 750 Atlanta.

Out East, I could pick up WHAM 1180 Rochester, New York. Also 810 WGY Schenectady. And WCAU 1210 Philadelphia. And WRVA 1140 Richmond, Virginia. I remember getting WABC 770 and WOR 710 New York, but somehow back in those days I didn't often receive other clear channel stations from New York City— WCBS 880 and WNBC 660. But I do remember WBZ 1030 Boston coming in loud and clear.

Turning the radio to face various shades of southwest and westward— the ferrite rod antenna inside was fairly directional— I would get stations from the wide open spaces out West. I can still remember the jingle to which they sang "WOAI, San Antonio"— yeah, WOAI 1200. From Texas there was also WBAP 820 Fort Worth/Dallas. And for some reason it was always a special thrill to receive KOA 850 Denver— "KOA 850, the Timekeeper!"

The Rocky Mountains seemed to form a barrier to radio propagation. I never had any luck getting a station further west than Denver. Yeah, from up in Canada I could get CKY 990 Winnipeg, and maybe some station from Calgary. But never anything from the West Coast. In the early 1980s, when I was living out in Washington State, I noticed a similar phenomenon in reverse: out there, I could get stations from all up and down the Pacific Coast, but never a station from east of the Rockies.

The stations I've listed so far are all the big powerhouses, the blowtorches, or the 50-kilowatt clear channel stations. I'm listing them from memory, aided by a pamphlet I drew up back then which I ran across just the other day. Somewhere around here there's an old brown spiral notebook: if I can ever find that, I'll be able to list many of the softer and more elusive voices I used to hear over that radio.

I remember one station, broadcasting at only one kilowatt, from down near the bootheel of Missouri: I got them one day just as they were signing off at sunset. It was my first introduction to the phenomenon of radio stations carrying unsightly distances north and south right at sunrise or sunset. I wrote them, giving details of what I heard, and got back from them a letter verifying that I had indeed received them. As per my request, they agreed to play On, Wisconsin for me on their station.

And then, down in the magical lower ranges of the radio dial, there was the time I received WILL 580 Urbana, Illinois. I can still hear that station, its choppy signal rising and falling rhythmically in a sea of radio static, and amidst the static, half drowned, the strains of Sweet Blindness and Stoned Soul Picnic.

And sometimes I would listen to distant voices which were nearly submerged in the static and the radio hum, unintelligible, too far off, a hubbub of voices, like something heard but not understood in the background of the Beatles' Revolution 9.

It was magic, it was truly magic, listening to those far distant voices up and down the radio dial. Like eavesdropping on some other level of reality.

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Friday, December 17, 2004

Radios around the House

Do you know, I've got a radio in every single room of the house?

Seminole 902
In the half-bath upstairs, I've got a fair-sized portable radio, red and silver, I'd guess of early 1960s vintage. Seminole 902, "Transistor Nine"... whip antenna that folds down into the carrying handle, runs on four C batteries. I usually keep that radio tuned to the public radio station up in La Crosse, and if there's one radio filling the upstairs with the sounds of classical music, it's probably that one. (Photo of radio sitting, not upstairs, but on my kitchen table.)

Grundig Satellit 700
In the "radio room"— upstairs radio listening post, hobby room, extension of my library— I've got my Grundig Satellit 700, which is my main shortwave radio. Pulls in everything from the BBC to Radio Tezulutlán from Cobán, Guatemala. Also receives AM, FM, and longwave. I've also got in my listening post an old shortwave tube radio, Hallicrafters S-120, seldom used. (Photo of Grundig sitting, not in my listening post, but on my folks' kitchen table.)

In my bedroom, my boombox sits atop one bookcase, usually kept tuned to the campus station from La Crosse: sometimes I set the sleep timer and drift off to sleep with jazz playing softly. Also have a digital clock-radio, which I never use except to wake me up at 5:00 AM on Sunday mornings: it's kept tuned to a station from Decorah, Iowa, which usually plays golden oldies rock, sometimes also car races(?!).

Downstairs in the kitchen I have a GE Superadio, which pulls in distant AM stations like no other radio I've ever seen. I got it because this is the only place I've ever lived where you can't pull in any of the big-city clear channel stations during daylight— indeed, except for 580 up in La Crosse, the AM dial below 900 is usually dead around here in the daytime, except on the Superadio. I usually have it tuned to the Cedar Rapids station, and I listen to news and weather while I'm eating breakfast. By the way, don't you hate it when stations do station identification five or six times a minute??! "This is 600 WMT... Now on 600 WMT we have the traffic, brought to you by 600 WMT... 600 WMT!!!"

In the living room I have another shortwave radio, a Realistic DX-440, sitting on the end table. Handy for listening to WBCQ, Monticello, Maine, 7415 kilocycles [sic] on your dial, whilst relaxing on a rare free evening. I also have in the living room my old stereo system— which has a turntable but no CD player— on the rare occasions when I use it, I have it tuned to one FM station or another.

In my study I have a Henry Kloss Model One. Small, retro-looking radio. AM on it isn't worth a darn, but it has the most amazing FM sound quality you've ever heard in a small monaural radio. I usually have it tuned to one of them public classical-musickish stations down between 88 and 92 on the FM dial.

And in the downstairs bathroom, I've got a little red and white transistor radio perched atop the toilet tank. Usually have it tuned to 95.7, which plays what passes for rock in these latter days— odd, except when I'm in the tub, I never listen to modern rock, I always listen to golden oldies rock, that is, mid-60s through early-to-mid-80s.

Oh, yeah, I've also got some diddly radio out on the back porch, which during the more seasonable months of the year I sometimes use as a second study.

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